Wu Chi-Yu’s practice shows a fundamental interest in how connections can be re-established among humans, things, animals and the world in a ruined landscape resulting from technocapitalism. His practice revolves around the moving image, looking for contemporary narratives in lost memory through the reproducing of oral history and myths. He is also involved in different collaboration projects of installation, video installation, and performance.

Wu Chi-Yu was a resident artist at Rijksakademie van beeldende kunsten (2014-2015). He had the solo show: “91 Square Meters of Time” (TKG+ Project, Taipei 2017). The exhibitions he once participated include: “The 12th Shanghai Biennale” (Power Station of Art, Shanghai, 2018); “Trans-Justice” (MOCA, Taipei, 2018); Taipei Biennial (Taipei Fine Arts Museum, Taipei, 2016). His films have been screened at the Beijing International Short Film Festival (2017); EXiS Festival, Seoul (2017); Arkipel Festival, Jakarta (2016).

吳其育創作的基本關懷在於找尋如何在被技術−資本主義摧毀的廢墟中重建人、事物、動物與世界連結的方式。其創作主要以動態影像為主，透過口述歷史與傳說 的紀錄進行文本的再製，在逝去的記憶中尋找當代敘事的語言型態，同時也進行裝置、影像 裝置與表演等不同類型的合作計畫。

吳其育曾進駐於荷蘭皇家藝術村（Rijksakademie，阿姆斯特丹，2014-2015)。個展：時間91平方米（TKG+ Project，台北，2017）。參與聯展：上海雙年展（上海當代藝術博物館，上海，2018）、穿越正義（台北當代藝術館，台北，2018）、台北雙年展（台北市立美術館，台北，2016）、第二屆CAFAM未來展（中央美術學院美術館， 北京，2015）。參與的影展：北京國際短片聯展（2017）、EXiS Festival，首爾（2017）、Arkipel Festival，雅加達（2016）。