Chan Long Fung, Lazarus, is a new media artist who explores the intersections of science, technology, humanities, and art. Born in Hong Kong in 1996, he currently resides there. His works often blend various elements, including soundscapes, electronic devices, algorithmic art, data visualization, and generative art. Chan excels in transcending disciplinary limitations and engaging in interdisciplinary creation to integrate knowledge and ideas from diverse fields. Chan’s works delve deeply into observing and contemplating natural phenomena in life. His creative inspirations are rooted in a profound understanding of technology, sensitivity to nature, and passion for science. Chan creates art to pose questions and represent these themes.

Chan believes that, as an artist, he can maintain a perspective and approach to the long-term observation of the intricate details of scientific and technological developments, continually raising questions from a humanistic and philosophical standpoint and then transforming these questions into visual art experiences. He holds the belief that art can help people gain a deeper understanding and exploration of issues through simulation, representation, and experience. Although works of art do not necessarily need to explain problems, artists can pose questions that stimulate the audience’s conscious engagement, thereby clarifying the direction of the issues at hand.

陳朗丰是一位探索科學、技術、人文與藝術的新媒體藝術家，1996年香港出生，現居於香港。他的作品經常混合聲音景觀、電子裝置、演算法藝術、數據視覺化和生成藝術等元素。陳氏擅長超越單一學科的限制，進行超學科的創作，希望通過這種方式，將不同領域的知識和思想相互融合。陳氏的作品對生活中的自然現象進行更深入的觀察和思考，創作出發點源於對技術的深究、自然的敏感和科學的熱愛，借藝術提問和再現。

陳氏相信，作為一位藝術家，他可以維持其視角和方式，長期關注科學技術的發展細節，持續從人文哲思角度提出疑問，再將問題轉化為視覺藝術經驗。他相信，藝術可以通過模擬、再現和經驗，幫助人們更深刻地理解和探索問題。雖然藝術作品不一定能也不必解釋問題，但藝術家可以提出問題，激活觀眾的意識活動，從而闡明問題的指向。