In the thirties, Bonnie Parker and Clyde Barrow were shot dead after they had committed robberies in Texas for two years. When they Died, Bonnie was 23, and Clyde was only 24. In that era, gangsters and robbers were heroes, and theirs stories were legends. In the sixties, drugs became a part of youth culture. Maybe I was born in a wrong decade. 

In the nineties, we don’t need any heroes nor legends anymore. In this era, gangsters and robbers are equal to cold blood and drugs mean degeneration.

*This film is supported by the Hong Kong Arts Developement Council

三十年代，邦尼．柏加與克拉．巴格魯在洗劫德州，兩年後被槍殺身亡。死的時候，邦尼二十三歲，克拉也才二十四。那個年頭，幫匪與盜賊是英雄，是傳奇。

六十年代，花之年頭，海洛英、可卡因、大麻、成為了當時年輕人的生活文化。大概是生錯年代，來到九十年代，我們再不需要英雄，再沒有傳奇。

危險女郎說的就是去偷、去搶、去殺，當女賊被搶去生命，當編劇的被偷去夢境。這個年頭幫匪與盜賊等同冷血；毒品就是墮落。

危險女郎中沒有英雄，沒有傳奇，只有命賤如泥的無名人物。

＊此片由香港藝術發展局資助。

FUNG Wai, Ernest started independent video production when he was a student in interior design. His work On the Road won the Gold award (MTV) in the Hong Kong Independent Short Film and Video Awards in 1996. He works in both the commercial and artistic field. His first feature film was Dangerous Girls (1997) and his second film Silver City (1998). His video works include Alice in Hong Kong, have been exhibited in Japan, France and Germany. He also produces music videos for local pop singers and videos for concerts, such as “Tat Ming – Paris in Concert” and Anthony Wong’s “People Mountain People Sea”. He currently works as a film and video editor.