Through the process of re-reading the very beginning of Asia’s film history, we discover that the ghost has disappeared. Meanwhile, obsolete technologies have become dead media, and artists are tracing the ghostly illusion of the image from these obsolete technologies. By combining archives, video, and 3D rendering, artists attempt to explore the ambiguity of historical and material memories.

在再次閱讀亞洲電影史起源的過程中，發現被遺忘的幽靈;與此同時，舊媒介在漸漸死去，藝術家卻在追逐影像如幽靈般再現的方式。 結合檔案、錄像和3D動畫，試圖探索我對歷史和物質記憶間的模糊性。

Phoenix Ngo Chun Tse lives and works between Hong Kong and London. He is a research-driven artist and curator. Working across the mediums of moving image, text, installation and performance, his practice engages with micro-histories, decolonialism, hauntology, transnationalism and media archaeology. He studied his BA (Hons) Fine Art at Chelsea College of Arts and MFA Fine Art at Slade School of Fine Art.