The film follows a Dutch couple’s visit to Samye Ling in Scotland, the oldest and once largest Tibetan Buddhism Temple in Europe. Staying with a local Buddhist, the couple explores the surrounding nature,
shop and cafe near the temple. They interview the abbot, Lama Yeshe Rinpoche about sufferings concerning their lived experiences, and hold a dance performance in front of the temple. Their visit to Eskdalemuir is also inhabited by lines of texts taken from Dharma websites of posts concerning present sufferings of individuals and collectives.

《據點》描述⼀對情侶參觀蘇格蘭桑耶林寺的旅程，該寺院是全歐洲最古老的藏傳佛教寺院。影片描寫⼆⼈努⼒探尋頓悟和情愛難題的過程，觀察當中親密與難堪的時刻。本片混合故事和紀錄片，敘事時將科技應⽤於營造結構。航拍機扮演「參與觀察者」的⾓⾊，彷彿⾃主地觀看⼆⼈互動。影片加插了線上討論的內容，反映網⺠在留⾔板和聊天室找⼈作伴和尋求指引。

Shen Xin practices empowering alternative histories, relations, and potentials between individuals and nation-states. Their interests lie in understanding culture on its own terms. Seeing it as an active commitment to the learning, teaching and engaging with relating to places as land, it opens up to inhabiting the multitudes of the selves through the lens of time. Engaged with moving image, video installation, public event and collective process, Shen Xin imagines and creates affirmative spaces of belonging that embrace polyphonic narratives and identities. Their solo presentations include ས་གཞི་སྔོན་པོ་འགྱུར། (The Earth Turned Green) (Swiss Institute, New York, 2022), Brine Lake (A New Body) (Walker Art Center, Minneapolis, 2021), Double Feature (Schirn Kunsthalle Frankfurt, 2019), Synthetic Types (Stedelijk Museum, 2019), To Satiate (MadeIn Gallery, Shanghai, 2019), Warm Spell (ICA, London, 2018), and half-sung, half-spoken (Serpentine Galleries, London, 2017). Their group exhibitions include Language is a River (MUMA, Melbourne, 2021), Minds Rising, Spirits Tuning (Gwangju Biennale, 2021), Sigg Prize (M+ Museum, Hong Kong, 2019), Afterimage (Lisson Gallery, London, 2019), and Songs for Sabotage (New Museum Triennial, New York, 2018). They received the BALTIC Artists’ Award (2017) and held the Rijksakademie residency in Amsterdam (2018-19). Shen Xin practices on Miní Sóta Makhóčhe, the land of the Dakhóta Oyáte, as well as on Lënapehòkink (New York City), the land of the Lenape peoples.