From documenting the state of the green guided line for the friendly Qilou around the outer ring of Snail Alley in Tainan’s Zhongxi District, the artist observes the irrelevant policies and conflicts along the boundary line as an outsider. This kind of familiar social ecosystem leads him to reflect on the stalemate through repetitive labor, pondering with the sound of using a straw continuously.

藝術家從紀錄圍繞台南中西區蝸牛巷外圍的友善騎樓綠色規劃線的應用狀態，以外來者身份旁觀不切身的事件，例如該地市政府曾致力推行的政策及界線衍生的抵觸。這種若即若離的社會生態系統，使他不自覺地將僵局訴諸於重複性的勞動，以持續使用吸管的聲音為旁白，咀嚼使用友善的意義。

He enjoys reading the process of materials autonomously recording abstract information, thereby detaching himself from a subjective perspective and wandering through various thoughts. Through the act of painting, he deepens his perception of life and associations beyond mere symbols, responding to a state of pure existence. His artworks imaginatively document the serendipity of being present, diverging from the central theme while seeking a state of balance and embracing the unexpected, becoming a tool that prompts digression, responding to the limitations of systems, and coexisting with the resistance of effectiveness.

He founded WURE AREA in the Kowloon Bay industrial area, which encourages exploration of observation patterns beyond habitual ones. From the perspective of artistic practice, it embraces the interplay of thoughts through language and feelings within this specific medium.