The video comments on the materialization of the electronic images. A brief segment of a stage performance is endlessly repeated spatially and temporally. Human figures are drawing into, hiding behind and going through all these artificially reconstructed spaces, making them merely a reproducible animated structure. As a closed cycle of production and discourse, the electronic medium itself becomes the source of creation. During this boundless course of propagation, a woman is constantly falling onto the ground and finally disappears in between frames.

《借頭借路Ⅱ》由幾格錄像開始，重複再建構再改造而成的作品，帶有像徵意味地解放了電視框內框外，由一個台上台下台前台後的搜索，變成一種游離於框內框外的一種旅程。