A haunting allegory of memory, metaphysics, and cinema, the work transcends the sociological, theoretical, and formal conventions of cinematic practice with specific challenges addressing linearity, the authority or the uni-directional method of viewing. Opening the seams of conventional film production, the work plays with the process, method, and social constructions related to the narrative and the act of viewing. Exhibited in the Hong Kong-China participation in the 49th Venice Biennale.