In Iran, many rights of women are suppressed under the name of protecting women. Women are always in a passive position in the frame of marriage law. Entertainment is forbidden for women and female singers are not allowed to give open performances. HK is a traditional place advocating for freedom and women in HK may freely pursue for their own love, dream and lifestyle. I chose to have an Iranian girl, who worked for a theater, reproduce a dialogue between the deceased HK female star Anita Mui and her fans in a private car. The dialogue shows the free pursuit of Anita Mui for love and marriage. I am attempting to seek for the differences and common points presented by people from different nations and areas in the same story frame, and also hope to show the attitude of Iranian women toward life and emotion through such a kind of performance and review the free space for people under the governance of totalitarianism.

在伊朗，很多女性的權利被以保護女性的名義所壓制，婚姻法框架下的女性總是被動的。娛樂是被禁止的，女性歌手更是 不能公開演唱的，而在香港這個有自由傳統的地方，女性可以更自由的追尋自己的感情，理想，生活方式，我選擇讓一個 在劇院工作的伊朗女孩在私人汽車裏重新演繹了香港已故女明星梅艷芳生前在演唱會上的一段與粉絲的對話，這段對話呈 現了梅艷芳對愛情與婚姻的自由追逐，我試圖尋找不同⺠族，不同地域的人在相同故事的框架下，呈現出來差異性與共同 點。