The natural landscape serves as a metaphorical canvas for my visual storytelling. In “After Flying,” a deflated balloon spirals from outside the frame into the sky within the frame, ultimately collapsing onto the lake’s surface. During this concise filming process, although it cannot leave brushstrokes like a painting, the unusual behavior and sounds of the balloon deeply imprint an impression in the viewer’s mind. Similar to how Argentine-Italian artist Lucio Fontana slashed his canvases in the 1950s, this impression inadvertently leads the viewer into a moment of lyrical perception. I believe that in our contemporary era, where technology and media continuously expand our material desires and spiritual needs,  an underlying pure joy remains in the hearts of the viewers.

自然風景（Landscape）被喻為我書寫影像的一張畫布，接著我讓氣球因漏氣從畫外旋進畫內的天空，最後癱軟地掉入湖面；在這簡短的拍攝過程，縱然不能如畫布一樣留下筆觸，但是透過氣球不尋常的行徑 變化和聲音，的確深深地劃過觀者的腦海形成印象；猶如五○年代阿根廷籍義大利藝術家封塔那（Lucio Fontana）用刀在畫布上劃開一般，這樣的印象讓觀者不經意地在某一刻陷入抒情的感知，雖然很難去描述，不過在科技和媒體不斷地擴張人們物慾精神的當代，我相信觀者的心中隱含著一股純淨的愉悅。