Cross-listing: D-Normal/V-Essay Artworks List, 資料庫鏈接：平地數碼作品列表 - HUA Xi Zi Cecilia, 滑惜子 / TSUI Hou Lam, 徐皓霖 / ZHOU Yinglin, 周瑩林 / WONG Beatrice, 黃雪綾 / ZHENG Tianyi, 鄭天依 / WONG Pak Hang, 黄百亨 / CHAN Ka Kiu, 陳嘉翹 / LI Kwan Q / NGAI Tsz Kwan, 魏芷軍

Cross-listing: D-Normal/V-Essay Artworks List資料庫鏈接：平地數碼作品列表

NGAI Tsz Kwan魏芷軍

duration /

Video Content 錄像目錄

Video Zine #1 – Ocular Oracular
錄像雜誌第一期 – 聲影甲骨文

Best Work 最佳作品

Virtual Presence 虛擬的存在

Performing Consciousness 展演的「我」現在進行式

Hong Kong 我城香港

News from around the world 各地來鴻

Tentacular Thinking 多觸思考

** Juror’s SPECIAL MENTION 評審特别表揚

Video Zine #3 – The Ultra-Realist, The Extra-Ordinary
錄像雜誌第三期 – 非凡超（極）真實

Best Work 最佳作品

Look for the Signs 聽風。望月。超聲波。

Grand narratives, Minor /Local Histories 大敘事微焦點

A Pocketful of Rye: Ficto-Documentaries 虛實無縫

One, Two, Buckle My Shoe 點蟲蟲，蟲蟲飛

L’automatique: hickory dickory dock 自動波：滴答滴答滴答滴

** Juror’s SPECIAL MENTION 評審特别表揚

Video Zine #3 – Presencing… Becoming
錄像雜誌第三期 – 就在此瞬間

Best Work 最佳作品

Artistic Truths, Constructed Truths 藝術的真相程序

It could have been … 假如你當時在那裡走過 …

Dwelling in time Moving through space 處於時域，動破空間。

Heterotopias 異域：層疊時空

Detournement / Diversions 繞導遊

Conjectural Desiring 無證據拋物（線）

** Juror’s SPECIAL MENTION 評審特别表揚

Video Zine #4 – Voices from the Atmosphere
錄像雜誌第四期 – 大氣中融融細語

Quarantine: Close Generative Systems 隔離：向內衍生的系統

The Inside is Outside, and Vice Versa… 外眺、仰望

Self-persuasion 自我勸解

Spit it Out 不吐不快

To Love, to Be… 愛，存在 …

Remembrance is Not Nostalgia 憶記不同於懷舊

Open Space: Magic is Around Us 天大地大: 魔法就在身邊

** Juror’s SPECIAL MENTION 評審特别表揚

Video Zine #5 – {SET} #1 Assemblage + Spatial Pressure Calibration
錄像雜誌第五期 – {集}1 聚疊＋空間壓力測試

Events 活動

Wong Chun-hoi (solo): Hardworking Burning Electricity – Wong Chun Hoi solo 《勤力費電 – 王鎮海不求人展》 (Jan 2016): playing with electricity circuits to move everyday objects with a Spatial Pressure Calibration event
Wong Fuk-kuen (solo): Present Continuous – Wong Fuk Kuen solo 《現在進行 – 黃福權個人展覽》 (Aug 2016)
Taipei Assemblage: 句點藝術群體＠類聚集 ensemble (非常廟藝文空間 VT Artsalon, Taipei, June 2017)
Linda Lai (producer) + FPC: performance Object-Subjectivities《重塑：東西遊戲》(at “No Reference 「沒有先例」, June 2016, Cattle Depot): physicalization of “algorithm” using Conway’s Game of Live for a semi-improvized performance to explore collaborative co-individuation. Though largely improvised on stage, it follows a structure with thematic progression.
1st SKM (Shek Kip Mei) Assemblage 《石硤尾聚疊》, 2018.09.23, JCCAC, produced by Wong Fuk-kuen

Timeline 時間線

Video Zine #6 – The Provisional Imageinary
錄像雜誌第六期 – 暫擬設證

video problematizes 為了策問的錄像行動

caméra stylo: the essaying camera 「電影筆」：滕文成章的攝錄器

a pathway towards abstraction 具象朝向抽象

Feature (1) LO Lai-lai Natalie’s concrete living 勞麗麗的實體幹活 [節錄]

Feature (2) Evi PASALTOU & team ANOMIA: the dancer’s body, the choreographic everyday 舞者的身體，穿透日常的舞動：簡介希臘實驗舞蹈藝術群體「無規範」

** Juror’s SPECIAL MENTION 評審特别表揚

videotage programme history /

2021

Cross-listing: D-Normal/V-Essay

資料庫鏈接：平地數碼

about the artist /

Hua Xi Zi works and thinks about light and the experience of seeing – in exploring the flowing life and one’s relation with outside systems. From celluloid film, analogue video signal to digital video processing, screen-based and optical projections, installed and performed, Xi Zi questions the existing methods of shadow-image production by experimenting with alternative ways to “un-expose.” It is the refusal to use representational images to explicitly represent one topic, community, or ideology. Her practice and research turned into materiality while asking questions about spectatorship and participation – seeking for the tenderness that withholds freedom and forgiveness. Hua Xi Zi received her MFA in Film, Video, New Media and Animation at the School of the Art Institute of Chicago and BA in Cinema and Media Studies at University of Southern California.

vmac archived / artworks from the artist

Cross-listing: D-Normal/V-Essay Artworks List

資料庫鏈接：平地數碼作品列表

about the artist /

TSUI Hou Lam徐皓霖

Hou Lam Tsui (b. 1997), is an artist based in Hong Kong. Her work encompasses a wide range of mediums, including moving images, installation, sculpture, and text. Her practice centres around gender, emotions, body, and personal experiences. Drawing inspiration from pop culture, anime, and TV commercials, Tsui critically explores the tension between agency and consumer desires and rethinks how capitalism shapes the commodification of bodies.

Tsui received a BA in Fine Art and History of Art from the University of Leeds in 2018 and an MFA from the Chinese University of Hong Kong in 2024. Selected recent exhibitions include Follow the Feeling (Times Museum, 2024), One is not born a woman (Square Street Gallery, 2023), Post-Human Narratives—In the Name of Scientific Witchery (Hong Kong Museum of Medical Sciences, 2022), and Noble Rot (Para Site, Hong Kong, 2021).

vmac archived / artworks from the artist

our love is not destined

我們不是命中注定

Sticky Sweet Iteration

甜膩的迭代

Cross-listing: D-Normal/V-Essay Artworks List

資料庫鏈接：平地數碼作品列表

about the artist /

ZHOU Yinglin周瑩林

ZHOU Yinglin is a video and new media artist based on time-based media and digital virtual technology, currently living and working in Berlin/Linz. She holds the title of Outstanding Master’s Graduate of University of the Arts Berlin and is a PhD candidate at the University of the Arts Linz. In recent years, the artist has been researching on identity, digital virtual space, and cultural equality, focusing on issues such as identity recognition, cultural identity displacement, post-colonial identity gaps; virtual digital construction and virtuality, image expression in virtual space, and spatial power in virtual space, and she proposes the possibility of a futuristic perspective for cultural equality. Zhou Yinglin’s works have a satirical and witty temperament and incisive political attributes based on the research nature, and her projects have condensed a great deal of reflection and analysis.

The artist has received awards such as “the Lumen Prize”, Shortlist; “Future Artist” of the Today Art Museum X InArt, first prize; Lentos Freunde Art Award, Shortlist; “Ruptopia” iART Youth Art Program, third prize; “SAP Art Award”, Emerging Artist prize; and “Upapāduka· the Prologue of Crypto Art”, third prize.

Her works have been exhibited in major national and international art institutions and exhibitions, recently at Ars Electronica Center Linz; Art Basel Hong Kong’s Film Program; UCCA Lab at Ullens Center for Contemporary Art; A4 Art Museum; 13th National Art Exhibition; and O21 OSTRALE Biennale, etc.

vmac archived / artworks from the artist

2020

Unknown Connection Line

Cross-listing: D-Normal/V-Essay Artworks List

資料庫鏈接：平地數碼作品列表

about the artist /

WONG Beatrice黃雪綾

Beatrice Wong, born 1980 in HK and based in HK ever since, is a transgender outsider artist with a lifelong struggle with mental issues, and expresses her dilemmas in life through personal creative projects and mediums including stand-up comedy, contributing to the LGBTQ anthology ‘Intimate Strangers: True Stories from Queer Asia’, short films screened at various LGBTQIA film festivals around the globe, and recently, photography with her WMA Masters finalist work ‘No Opportunities (for Beatrice)’ being exhibited in Hong Kong City Hall. Beatrice also DJ as Misty Penguin.

vmac archived / artworks from the artist

2019

Goodbye note to myself, 2019

2019年,給自己的告別通知

Cross-listing: D-Normal/V-Essay Artworks List

資料庫鏈接：平地數碼作品列表

about the artist /

ZHENG Tianyi鄭天依

Tianyi Zheng, Tin-e (1995, Hubei) is an artist based in Hong Kong and the Netherlands, whose current interests include the interface and narration between space, place, the identity of people, as well as heterotopology and hauntology. Displayed in mixed media installations, her work comprised of found objects, video, sound, and performance. She graduated from Frank Mohr Institute (MFA in MADTech) in 2021 and received a BA in Fine Art from the Chinese University of Hong Kong (2018).
Zheng’s work has been shown in Prenzlauer Studio, Berlin (2021); Kunstpunt, Groningen (2021); Artist Residency in Bierumerschool, Bierum (2020); PMQ, Hong Kong (2018) and Kunstraum Gallery of ZHdK, Zurich (2017). Zheng was awarded the Lucht Stipend (2021) and supported by Corona Bridging Grant for Artists, Curators, Researchers, Mondriaan Fond (2021). She has curated cultural events such as the Wild Art Festival in Green Wave Art Hong Kong.

vmac archived / artworks from the artist

2019

A Few More Vomiting Will Make Us Get Used To It

嘔多幾下可能會慣

Cross-listing: D-Normal/V-Essay Artworks List

資料庫鏈接：平地數碼作品列表

about the artist /

WONG Pak Hang黄百亨

Wong Pak Hang, Samson was born in Hong Kong in 1995. He obtains his Bachelor’s degree in Fine Arts at the Chinese University of Hong Kong. Wong expresses himself through digital and 2D mixed media, including photography, video, painting, and installation. The content of works is related to modern life and habitation. He believes art can represent humanistic concerns, pointing outwards toward civilization, and inwards toward fundamental humanity. Recently, he was awarded WMA Sponsorship Recipient – FotoFest, the ‘2046 Fermentation + Fellowships’ by Para Site in 2022 and the ‘New Light Exhibition Scheme’ by Lumenvisum in 2020 and shortlisted for the 24th ifva Awards (Media Arts category) in 2019.

vmac archived / artworks from the artist

Cross-listing: D-Normal/V-Essay Artworks List

資料庫鏈接：平地數碼作品列表

about the artist /

CHAN Ka Kiu陳嘉翹

vmac archived / artworks from the artist

2021

Digital Birth: Zooming in on NFT - Postcard

數碼原生：NFT睇真啲 - 明信片

Cross-listing: D-Normal/V-Essay Artworks List

資料庫鏈接：平地數碼作品列表

about the artist /

LI Kwan Q

Coalescing lens-based media, installation, performance, and writing, Kwan Q Li’s practice examines the relations of conflict within postcolonial, technopolitical, and ecological explorations. She approaches the complexity of dominant forces through probing their “dispositif”: the set of interplaying actors that constitutes institutional and cultural power. Her work has been exhibited in the Venice Architecture Biennale (HK Pavilion, 2021), Ars Electronica (2021), Threshold Journal (MIT Press, 2022), and more. She has been awarded funding and residencies in Hong Kong and Singapore, through the Design Trust (2019) and IdeasCity co-organised by the NTU CCA and the New Museum (2020). She was the recipient of the Harold and Arlene Schnitzer Prize by the Art Council at MIT (2022), and was awarded the Stuart Morgan Prize for Art History at the Oxford University (2019).

vmac archived / artworks from the artist

2021

Infinite Replicas

Cross-listing: D-Normal/V-Essay Artworks List

資料庫鏈接：平地數碼作品列表

about the artist /

NGAI Tsz Kwan魏芷軍

NGAI Tsz-kwan, Hong Kong based artist. She graduated at the School of Creative Media, is interested in exploring the variety and potential of image writing, emphasizes reading of moving images, as well as their documentary and experimental aspects.