This compilation provides an overview of the prevailing concerns and aesthetics of early Hong Kang video art. Works featured in this selection include many members of Videotage, including Ellen Pau, Connie Choi, Wong Chi-fai and Ernest Fung.

本作品集結集了香港早期錄像藝術家普遍關心的題旨及美學素求。創作者包括錄影太奇成員如蔡敏儀，黃志輝，馮偉及鮑藹倫等。

Linda KONG participated in the Firebird film society. She is interested in video and media production.

CHOI Connie is founding member of Videotage. She is currently a full-time Financial Planner and amateur video artist.

Ellen Pau was born in Hong Kong and enrolled as a student of radiography at the Hong Kong Polytechnic University in 1982. She is a radiographer by profession, but being a professional radiologist didnot fulfil her creative obsessions with video art and media art. In 1984 Pau made her first film Glove, asuper-8mm artwork, which was screened internationally. She has since worked as an MTV director, cinematographer, video artist, curator, educator and arts administrator. Pau began her international career in 1995 at the Kwangiu Biennale in Korea curated by Kim Hon-Yee and Nam-June Paik. She is the co-founder and artistic director for the media art organization Videotage and has served as a member and curator of the organizing committee for the Microwave International Media Art Festival, Hong Kong since 1996. Pau teaches part-time at The University of Hong Kong, the Hong Kong Polytechnic University and the Hong Kong Academy of Performing Arts in addition to be a full-time medical image technologist. Pau is an advisor to the HK Museum of Art, the HK Arts Development Council and a number of festivals. She has exhibited in exhibitions including One World Exposition by Videotage and the Input/Output Gallery Relocation exhibition.

Ellen YUEN studied Cinema & Television at the university and started her involvement with video production (alternative, documentary, fiction, animation and education kit), arts administration and arts education. As a full-time vegetarian and supporter for environmental protection and animal rights, she uses video as a medium for sharing, healing and responding to the society’s dark side. Her video works include: Corner Bumpers, BYOB, Circle Game, New Vision of Video Art (Hong Kong), Death of a Vegetarian, ID and Happy Family. They have been shown in local screenings (e.g. IFVA, HKIFF, Microwave Video Festival, Festival Now) and overseas festivals in Toronto, Paris, Singapore, Taiwan, Japan and Germany.

Jessie PAK is passionately interested in video art and stage performance. She participated in many performances produced by Edward Lam Dance Theatre.