This compilation provides an overview of the prevailing concerns and aesthetics of early Hong Kang video art. Works featured in this selection include many members of Videotage, including Ellen Pau, Connie Choi, Wong Chi-fai and Ernest Fung.

本作品集結集了香港早期錄像藝術家普遍關心的題旨及美學素求。創作者包括錄影太奇成員如蔡敏儀，黃志輝，馮偉及鮑藹倫等。

Linda KONG participated in the Firebird film society. She is interested in video and media production.

Ellen Pau, born in Hong Kong, began her art career while studying radiography at Hong Kong Polytechnic University, creating her first experimental super-8 film, The Glove. She co-founded Videotage in 1986 and received the Asia Cultural Council Fellowship in 1992, creating Song of the Goddess in the U.S. Her international career launched at the 1995 Gwangju Biennale, followed by exhibitions at “City on the Move”, Asia Pacific Triennial, Shanghai Biennale and Taipei Biennale. Since 1996, she has been a director at the Microwave International Media Art Festival. At the 2001 Venice Biennale, she presented Recycling Cinema. Recent exhibitions include Awakening: Art in Society in Asia 1960s–1990s (2019) at the National Gallery Singapore, What About Home Affairs (2019) at Para-site and Shape of Light at M+ Facade (2022). Her works are held in collections of the Hong Kong Museum of Art, M+, and Griffith University. The Asia Art Archive launched her archive in 2023.

Jessie PAK is passionately interested in video art and stage performance. She participated in many performances produced by Edward Lam Dance Theatre.