This compilation revolves around urban space. The selection offers a wide sample of artists’ negotiation of the space which surrounds us; from hyper-architecture to spatio-temporal dislocations to the cinematic spectacle and back.

本作品集是環繞城市空間的作品，收錄了一系列藝術家對他們所身處的環境之表達。從超密度的建築到時空錯置以至影像的光影，互相對疊的空間製造出另一種對周圍環境的看法。

CHAN Chui-hing, Nose was born in Hong Kong and graduated from The University of Hong Kong with a degree in Biology.
He began making video art in 1998, and regularly screens his work locally and aboard. In 2000, he won the Distinguished Award in The 6th Hong Kong Independent Short Film and Video Award with his piece, Well. In 2003, he participated in the 1st Berlinale Talent Campus in The Berlin International film Festival. Chan also participates in independent film productions.

LEUNG Chi-wo was born in Hong Kong. He graduated with a MFA from the Chinese University of Hong Kong in 1997 after studying photography study in l’Istituto per lo Sviluppo Socio-Economico dello Spilimberghese in Italy and an internship in the Museum van Hedendaagse Kunst in Ghent, Belgium. He has done a few exhibitions in Hong Kong, New York, Melbourne, Tokyo, Oslo, Vienna, Hamburg and Toronto, etc. Awards received include the Asian Cultural Council Fellowship (1997) and Urban Council Award of the Contemporary Hong Kong Art Biennial (1996). In 2000, he has held a solo exhibition in the Queens Museum of Art, New York. In 2001, his site-specific project was exhibited in the Hong Kong Pavilion in the Venice Biennale.

Dorotea Etzler (English name Doreen) is a conceptual artist based in Berlin, Germany. As VJane lazyliu she interacts with the smart phone to create artistic imagery. Her work investigates the media by means of glitch art and visual noise. Her background is in architecture and video. From 1998 to 2000 she lived in Hong Kong and became part of the Oil Street Artist Village.

Art Jones is an image/sound manipulator working with film, digital video, audio and hybrid media. His films/videos, CD-ROMs, live audio/video mixes, and installations concern the inter-relationships between music, visual culture, history and power. His work makes extensive use of popular music and mainstream media as raw material to be sampled and re-combined in order to examine implicit meanings or suggest new ones. He has collaborated with musicians and artists including Soundlab, DJ Spooky That Subliminal Kid, Phillip Virus with Alec Empire, Teleseen, Amiri Baraka, Femmes with Fatal Breaks, and Anti-Pop Consortium. He lives and works in New York City.

Ellen Pau was born in Hong Kong and enrolled as a student of radiography at the Hong Kong Polytechnic University in 1982. She is a radiographer by profession, but being a professional radiologist didnot fulfil her creative obsessions with video art and media art. In 1984 Pau made her first film Glove, asuper-8mm artwork, which was screened internationally. She has since worked as an MTV director, cinematographer, video artist, curator, educator and arts administrator. Pau began her international career in 1995 at the Kwangiu Biennale in Korea curated by Kim Hon-Yee and Nam-June Paik. She is the co-founder and artistic director for the media art organization Videotage and has served as a member and curator of the organizing committee for the Microwave International Media Art Festival, Hong Kong since 1996. Pau teaches part-time at The University of Hong Kong, the Hong Kong Polytechnic University and the Hong Kong Academy of Performing Arts in addition to be a full-time medical image technologist. Pau is an advisor to the HK Museum of Art, the HK Arts Development Council and a number of festivals. She has exhibited in exhibitions including One World Exposition by Videotage and the Input/Output Gallery Relocation exhibition.

tamshui was born in Hong Kong. After graduated from the School of Design at The Hong Kong Polytechnic University in 2001, he became actively involved in various creative works. His works were exhibited and screened in various countries and places including Austria, Italy, the Netherlands, Japan and Hong Kong. He received the Gold Award in Animation Category in the 7th ifva in 2001, and the Rising Artist Award (Film & Media Arts) in the Hong Kong Arts Development Awards in 2002. He has devoted himself in design education in recent years, and is now Subject Coordinator (Design & Visual Communication) at the HKICC Lee Shau Kee School of Creativity.

Co-Artistic Director cum Executive Director of Zuni Icosahedron, Mathias Woo leads a career as a scriptwriter, director, producer as well as curator, and is recognized for a portfolio of more than 60 original theatre works, which have been invited to cities around the globe including Beijing, Nanjing, Shanghai, Suzhou, Tokyo, Singapore, Taipei, Berlin, Brussels and Krakow of Poland. Mathias’ theatre works explore subjects as wide-range as literature, history, architecture, religion, current political affairs. Woo is renowned for incorporating multimedia into theatre creation. The multimedia architectural musical series The Life &am; Times of Louis I. Kahn and Looking for Mies became the hallmark in the scene of Hong Kong theatre. His recent productions include Eighteen Springs, 1587, A Year of No Significance (an adaptation from historian Ray Huang’s book of the same title), Hua-Yen Sutra, East Wing West Wing series, and Kunqu opera Tang Xianzhu’s Dream on Dreams, and A Tale of The Forbidden City. Worked with Stan Lai, Edward Lam, Meng Jinghui for multimedia stage design. In 2009, Woo initiated and curated “Architecture is Art Festival”, the first of its kind themed on architecture in Hong Kong, which re-examines architecture from an artistic point of view, manifesting various artistic possibilities of architecture with different forms. Looking for Mies’ has been awarded the Design For Asia Award by Hong Kong Design Centre in 2012. He was awarded the “Shenzhen-Hong Kong Life Award: Arts and Culture Figure of the Year Award” by Southern Metropolis Daily in 2013.